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| | | Glyph Hard Drive - GT 050 | | Glyph's fixed-mount tabletop, the GT 050™, is designed for the grueling daily use of audio and video production environments.
Rugged and portable, the GT 050 is constructed with durable stainless steel and uses tri-laminate sound-dampening metal, which absorbs drive vibration and reduces noise. Available with either FireWire or SCSI interfaces, and a variety of large-capacity drives to provide smooth capturing and editing of audio and video, the GT 050 comes standard with a three-year warranty that includes overnight advance replacement in the first year. | | | Les mer » | | Glyph | | Call for price |
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| | | Glyph Hard Drive - GT 050Q | | Glyph's fixed-mount tabletop, the GT 050Q, builds upon the success of the original GT 050 and adds FireWire 800, eSATA and USB ports.
Designed for high-speed access to audio and video content, while at the same time offering flexible connectivity options, the GT 050Q is the highest performing Quad interface drive on the market today. GT 050Q is constructed with durable stainless steel and uses tri-laminate sound-damping metal, which absorbs drive vibration before it can get to the chassis. Available with up to 750GB Seagate SATA 7,200 RPM drives, the GT 050Q comes standard with a three-year warranty that includes overnight advance replacement in the first year. | | | Les mer » | | Glyph | | Call for price |
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| | | Glyph Hard Drive - GT 062 | | | Glyph's GT 062 is a two drive tabletop designed for professional audio and video applications, and supports three drive modes through the use of a rear-panel selector switch: JBOD, Spanning, and RAID 0 (striping). In JBOD mode, the two drives are seen by the computer as two single volumes. In Spanning mode drives are seen as one large volume. When the first drive fills to the limit, data is then written to the second drive. RAID 0 (striping) is designed to increase the performance of the drive system. Drives are seen as one large volume, and the built-in RAID 0 controller distributes the I/O burden by reading and writing data from both drives at the same time. The back panel features four ports for multiple connectivity options - two FW800, one FW400, and one USB2.0. GT 062 comes standard with a three-year warranty that includes an Overnight Advance Replacement warranty in the first year. | | | Les mer » | | Glyph | | Call for price |
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| | | Glyph Hard Drive - GT Key | | The GT Key™ is a hot-swap drive cartridge at the heart of the GT Series.
Fully hot-swappable using Glyph's proprietary integrity™ FireWire interface, the GT Key is interchangeable among the GT 051, GT 103, GT 205, and GT 308 FireWire enclosures. Utilizing a high-performance 7,200 RPM hard drive and Glyph's tri-laminate sound-damping technology, a GT Key is not only fast, but it's quiet too. Available in a range of high capacities, this hot-swappable FireWire drive makes content more portable and expansion easy. | | | Les mer » | | Glyph | | Call for price |
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| | | Glyph Monitoring - GPM-216 | | A collaborative system for creating individual monitor mixes.
The Glyph GPM-216 is a self-contained monitoring network that lets each musician create their own individual monitor mix, exactly the way they want it, on stage or in the studio. Musicians plug instruments and microphones into the front-panel audio inputs, where the signals are digitized and distributed to other units over a network using standard Ethernet cables. Using the front-panel interface, you can create your own mix of local and networked audio sources, and it has front-panel connectors for headphones or earbuds, and line outs on the back for powered wedges or other audio gear. Send/Return loops allow musicians to patch in external effects or EQ for their overall mix, or apply them to their own input channels. | | | Les mer » | | Glyph | | Call for price |
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| | | Holophone H4 SuperMINI | | The breakthrough Holophone H4 SuperMINI Surround Sound microphone system delivers expansive 5.1 channel audio field capture in a super compact package, mountable on any professional quality video camera. The system offers an integrated multi-channel pre-amplifier, virtual surround headphone monitor and matrix surround encoder allowing truly professional results for six-channel processing of live audio from the concert hall and sports stadium to fast-paced ENG applications.
| | | Les mer » | | Holophone | | Call for price |
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| | | Lawo MC2 66 | | | For all types of production, the mc²66 gives you that crucial advantage when it comes to power, speed and flexibility. The latest generation Lawo consoles excel, not only by having the largest audio matrix and most powerful DSP core, but also by virtue of an ergonomic philosophy that provides clear, consistent operation and guarantees maximum functionality and efficiency, whatever the job. Your operation benefits from a very professional tool tailored to your specific requirements; a tool that allows you the freedom to concentrate on what matters most: the best sound. | | | Les mer » | | Lawo | | Call for price |
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| | | | | With the mc²90 you have everything under control – all of the time. The console offers a modular centre section that enables you to adapt the control layout to match your individual requirements. Whether it be live broadcast, recording, postproduction or live sound reinforcement, the mc²90 allows you to position the most significant modules exactly where you want them, so that you can access them more easily. | | | Les mer » | | Lawo | | Call for price |
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| | | Lawo Z4 | | z4 is the small digital broadcast mixing console for simple but nevertheless ambitious productions of high quality.
With its up to 14 local inputs (analogue and digital) and the option to be integrated in external matrix controls, the z4 covers almost all fields of the contemporary studio environment: from the editor's workplace to news control rooms and ENG vans, to the use as substitution mixer.
The integrated high-quality voice processor and the limiters in the summing buses not only guarantee excellent results in sound but also simple and confident handling. | | | Les mer » | | Lawo | | Call for price |
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| | | Neve 1073 | | | Born on the 10th of May 1970, the 1073 is possibly the worlds most desirable and famous microphone pre amp. Used extensively by leading producers and artists, it has delivered the unique Neve sound to some of the most famous recordings of the past thirty years. The big punchy sound of the 1073 compliments any musical genre. From rock to pop, hip-hop to rap, thrash to classical, the versatile Neve 1073 rules supreme and is deserving the title as the worlds most desirable pre amp. | | | Les mer » | | AMS Neve | | Call for price |
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| | | Neve 1073DPA | | The latest addition to the Neve outboard range, the 1073DPA provides two of the world famous Class A Neve 1073 microphone pre-amplifiers. This classic design is the consummate mic pre for recording vocals, guitars and acoustic instruments of all descriptions. The sought after Neve Sound is now available in a cost effective 1U box.
| | | Les mer » | | AMS Neve | | Call for price |
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| | | Neve 1073DPD | | | Two classic Neve 1073 mic pre-amplifiers are complemented by pristine professional ADCs to capture a performance to any required format. In addition to Neve's famous Class A analogue outputs are a series of digital options including all standard PCM sampling rates up to 192kHz. A unique feature is the Neve DSD output. Analogue insert points are provided ahead of the ADCs. The ultimate analogue circuitry is coupled with superior digital quality making this unit the obvious choice as a front end for recording to workstations. | | | Les mer » | | AMS Neve | | Call for price |
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| | | Neve 1081 | | The 1081 channel amplifier was first produced in 1972 and was used to provide the mic/line-amp and EQ sections in Neve consoles such as the 8048. A look through the credits on today’s top selling album will reveal that these vintage consoles are still widely used to great effect and that the 1081 module has become a hugely popular design classic.
| | | Les mer » | | AMS Neve | | Call for price |
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| | | Neve 1081R | | | The 1081R makes an ideal alternative for engineers looking to deliver the Neve sound quality, without investing in a new console. The rack can be positioned remotely and controlled by a PC making it ideal for both studio and live recordings. This system consists of a micro processor controlled 12 way rack and a choice of three mic pre-amplifiers, the 1081, 1073 and Air Montserrat (from the vintage Air Montserrat console). | | | Les mer » | | AMS Neve | | Call for price |
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| | | Neve 1084 | | Based on the same technology as the 1073, the 1084 deliver the unique Neve sound. Originally fitted to the A1085 custom console built for Whitney Studios in Los Angeles. The1084s offer additional features including 3 switchable EQ bands with cut and boost, a high Q for presence and low pass/high pass filters.
| | | Les mer » | | AMS Neve | | Call for price |
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| | | Neve 33609 | | Built to the highest design specifications, the AMS Neve 33609 unit offers comprehensive limiting and compression facilities for music recording, post production and broadcast applications. The 33609 is based on a circuit design first used in the classic 2254 limiter/compressordesigned by Neve in 1969.
| | | Les mer » | | AMS Neve | | Call for price |
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| | | Neve 4081 - Quad Mic-Pre | | Neve 4081 has a robust desktop mounting design with rubber feet & carrying handles. Two 4081 units can be fastened together, to give 8-channels of Mic/Pre or Line inputs in a 19” wide unit.
It has four independent & genuine 1081 Mic/Pre or Line input channels, Gain control per channel (+20dBu to +70dBu in 5dBu steps) with Signal Presence and Clip LED indication, XLR Mic input can be switched between Mic and electronically balanced Line. Line level up to 20dB gain in 5dB steps, Phantom Power source for microphones, 20dB pad, Phase and Low Z functions per channel.
4081 can be controlled from front panel or all functions controlled remotely by Mac or PC computers (Mac only initially), using a USB connection and the dedicated Neve Remote Control software – or remote control via midi from ProTools. Up to 16 boxes can be connected together off one daisy-chained control cable.
Optional Digital output/Sync card (available Q2 2008) with selectable sample rate and Sync Source – When units are daisy-chained together 1 Master box controls the sample rate & sync for all cascaded slaves. | | | Les mer » | | AMS Neve | | Call for price |
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